ang Yin’s artistic philosophy breaks away from the traditionally held position that art is eternal. The contrast between the classical image represented on the canvas and the iconoclastic idea which is construed by the canvas is striking. Mixing glue, plastic and pigments together, Wang Yin creates a temporary form of art. The colors peel off and slowly fall apart until the canvas returns to its original blank state. According to Lavoisier’s words, “nothing disappears, nothing is created, everything transforms”. These paintings do not vanish, they take a new form.
In a way, the artist’s deepest wish is for a new type of art collectors to emerge: those who collect temporary art.
Also in order his work to be collectable, Wang Yin imagines a frame shaped like a transparent box which visibly collects the remnants of the painting. The time process is an integral part of the creation, in the end reducing the art to a deposit of ashes, a reminder of the fragility of human existence. |
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音的艺术哲学打破了艺术是永恒的这一传统观点。古典的画布上的形象与打破旧习的新观念形成鲜明对比，让人震惊。王音把胶浆、塑料和颜料混合在一起创造了一个临时的艺术。之后颜色剥离，掉落，直到画布慢慢回复到最初的空白状态。艺术家的愿望是看到那些收藏临时艺术的新类收藏家们的出现。就像法国科学家拉瓦锡所说，“ 一切都不曾消失，一切都不曾被创造，一切都只是在不断改变。”绘画没有消失，它只是变成了一个新的形式。
王音想象有一个如透明盒子的画框收集着画的残余。时间流逝的过程也是这个作品的一部分，到最后艺术成为了一箱尘埃，让我们想到人类的存在是如此脆弱。 |
